Sculpture 1: Sea Creature Amalgam

I have finished the clay work for my sea creature amalgam. Tomorrow we are having a presentation about glazes, so that will be fun.
Here are all of the glazes shown on little cups. The top two rows are oxidisation fired, and the bottom two are reduction fired. The reduction firing makes a less perfect finish. I don't know which version I will do. I am not very excited by any of these colors. I am interested in raku firing, but apparently it is too dangerous for an elaborate piece, because of the quenching or something. Anyway, I don't think any of those are right. I don't know what I want it to look like. I planned to do it all black but everyone says that I should highlight the details more than that.
I don't know. I think red would be excellent, but the school reds are so brown, I would want a bright red. So I am leaning toward glazing in black with green accents, such as the suckers.
I spent 3 hours today digging out and refining all of those little rectangles. This is a good view of the crab climbing out of it.

I was going to wuss out and not do suckers on the tentacles because it seemed overwhelming, but then I was inspecting the tentacles to see how many suckers I would need and only a few places had the suckered side in view so I only had to do about 12 suckers. And weirdly, they suctioned onto the tool I was sticking them on with.

We are all done with wet clay (THANK GOD) because there are only 2 weeks left in the course. I still have to glaze everything and then we are making a lost wax bronze piece. I am kind of exited but there are so many possibilities that I don't know what to do.

Update: I used slip to paint the claws and crab legs black and the inlay on the body yellow, and the suckers pink. This way, if it comes out badly i can glaze over the whole thing in black.

Sculpture 1: student choice

This is what I made on Thursday. I envisioned it being this great celestial/global/starmap/genesis model of creation/lunar/orrery thing, but for some mysterious reason it didn't pan out. The spheres kept sagging from the weight of the clay and after a while I began to suspect I was subconsciously copying my friend's sculpture, which was of a very large peapod.
So I brainstormed this weekend and decided to layer a lot of ocean dweller features onto it, until it was freaking amazing and opulent and creepy. So far everyone has unanimously described it as "cute".

The second I test-fit it on the tentacles I was in love.
Nearly 6 hours of work later, I have this.

I think all of the features are complete but I still have to do textures. I am doing a seahorse based organic but angular windowpane texture on the large globe. So far I have 5 of 30 panels completed. Oooooh noooo it is going to take so long. The divisions are based on where the tentacles lie, but the three evenly spaced lobster claws don't match up and I am just going to have to ignore that. The weird unattached fish item was going to be poking out of the hole but now I think a smaller tentacled item might be best. I have not picked a texture or anything for the small bowl thing at the top.

(Again, not my art, it is from etsy and I did not write down the artist, ugh) I thought some sort of things like this, little feelers or something, but that means I will have to individually attach like 50 little feelers. Oh, wait, I can put its hippo eye in its top of head bowl. Ok.

Sculpture 1: Tiny House

Our second assignment this semester was to make a little model of our houses.
Here is mine. It is awaiting firing. It is a model of Willow House based on the sketch of our house that I like drawing. It is going to be a tealight holder, which will look very cozy I think. "Are you making a haunted house?" asked one of my friends in the class. Ahem.


This is not my work. It is to show how huge everyone made their houses, which made mine look really tiny- it has a footprint that is probably 8x4.

Sculpture 1: Apple

Here is my first art assignment of the semester. It is an apple.

Now, embarrassingly, I did not sign my apple and do not know which one it is. I think it is the one on the left, because the detailing on the bottom matches what I remember doing. However, I did not realize I was making such a straight sided apple. It was an assignment to get us used to having our hands in clay, so I am not sad that mine is lost, it is just careless of me.

Sculpture 1: Bas Relief and simple mold making

A bas relief is a shallow sculpture that is brought to life by bright light- the egyptians used them a lot for this reason. A relief is sort of a cross between drawing (or maybe engraving, but basically a form of drawing) and sculpture. It is pretty challenging, actually, or maybe it's just because I've only tried it once. Basically, all the highpoints have to come to the same level and the low points have to stay at their level. They are really easy to make a mold from for this reason. You just brush on plaster, let it dry, pat on fiberglass dipped in plaster, and then once dry dig out the clay and press new clay in.

I tried to bring an alaska quarter to copy, but since the meter takes 8 quarters I must have put that one in, even though I remember specifically saving it out. I still had several quarters so I used the banner from I think Connecticut and the ship from Florida and made a ship. I have cast 2, then my arms got very tired, and I still have not cast the third (we are required to make three, and I am going to use mine as stepping stones in the garden.)
Here is the plaster mold.


Here is the drying stepping stone. It reads "A sailor needs the sight of the sea" unless this is the one I smoothed out the original words on and etched in "Look Around You". I am actually too tired to flip over to the compose option where I can view it. I have not decided what to etch on the final stone. Maybe a song lyric. Maybe a quote about exploration. OMG! I will put an iceberg in the background and the banner can say "Antarctica was discovered in 1822". Yeah. Pithy.

Okay, and across the bottom: And no one was born there until 1978.

Sculpture 1: seaform item preliminary sketch pages

I realize that I love having pictures of my art on my blog so I can show people it, and look at the progression, but I have not posted any pictures at all lately. I am still doing art, but ceramics take a *long* time to complete because even after you are done sculpting you must wait a few days for it to get bone dry, then a few days for there to be a kiln firing that it fits in, and then you have to glaze it and fire it again. I have no finished pieces so far, although my apple and house (first two projects) should be ready for glazing this week. I took pictures of my little house and in progress shots of my bas relief tile, but now they are not on my camera. I do not know why. So, I am going to post some pictures of the research (kind of) that i am doing for our current project.

So far I have a sad, asymmetrical stack of nearly-spheres.

It looks a bit like this (I unconsciously capitalize the word base because i did for years going to BASE) Basically the weight of it is deforming the spheres, and it is just bad. It is lumpy and heavy and I have abandoned my first several ideas to salvage it. It is about 10 inches tall, and technically hollow except that it has little internal supports and stuff.

So, what I decided to do is give it texture and appendages in the manner of sea creatures.

These are some interesting features of sea creatures. I don't know how they should go on the spheres, but it would be neat to do the small ball in seahorse texture, the next in fish scale texture, the next in sea slug nubs, and then the bottom sort of covered in tentacles and suckers. Then it can have little features on it, such as a ring of claws and I don't know what all.

As I looked for photographs of actual sea creatures I found a number of awesome examples of other artists' sea and aquatic creatures. There was a wonderful sculpture of just the top of a hippo, by diane gilbert, so that it looks like it is submerged when placed on a surface. There was also a steampunk tentacle, and some of that speculative biology art or whatever it is called, that looks like science illustrations but is impossible. I also sketched some chihuly pieces (I am really impressed by his glass floats, how playful and serene!) but idk, the limitations of clay mean that I will not be able to really pull off anything like his shapes.

So. I am making an Item. Maybe it will look like a tribute to the sea. Maybe it will look like an alien. I think I will paint it black (there are only a few colors of school glazes, and bc we have to fire at cone 10 apparently not that many glazes for that firing temperature are very rich or bright even if i went to get my own.) and submerge it in water. If only I had a little water feature in the yard.

Speaking of glazes, glaze is often where a student sculpture falls apart (not literally, the joins and removing it from the armature are where they literally do). I think it is because you can't see the true color while you work, only after firing, so coordinating colors and choosing the appropriate one is very hard. A lot of work looks dusty or murky, or overly bright and neon. I don't know how to overcome this especially with only the 10 colors of school glaze available, so I plan to make my pieces black or white, or raku fire them. Oooh I bet this sea creature will look awesome if i can raku fire it.

Sculpture 1

I am taking my first community college art class at Contra Costa College. It is really different than art at UCSC [I have only 1 studio course under my belt there, although I do have 2 courses that were lectures with a TA supervised studio component] because it is not very strict. There are several high school students, people without art training, even some people without art interest (who need to get the GE for their AA I suppose) as well as some intermediate and advanced students. Most of the advanced students are older women and men who are artists in other disciplines. So there is a huge range of inclinations and abilities, and it is a lot of fun to see what everyone comes up with for each assignment (only the beginning students have to work on the same assignments though.)

I am making this terrible thing. It is our first free sculpture, and the prompt was to make a vehicle or anything you want. I went with anything I want, and I have a crooked stack of semispheres. It is so bad. I can't stand how bad it is. But, over the weekend thinking about it I decided to make it more sea creaturey, and I am excited about it again. I am going to hollow it as best I can, and cover it in appendages and textures, mainly tentacles of course but also some shapes I am lifting from Chihuly's venetian vases and seaforms.